technique MICROPHONE

History



Greetings always

Introduce

My name is Tison

My job is Soundmen

Previously I was also a musician, and a vocalist.

After working as a soundman, I understand how many things I need to learn, from the standard audio input to the highest quality audio input.

Until the device is used, I have to know in detail the specifications, either from the data or the real thing, then mix it until it produces maximum audio until it gets to the finish, which is the audio coming out of the speakers.

From various experiences in the field, many things are still not able to maximize the function of the device or also play good music, so on this occasion I try to convey problem after problem in the field, and allow me to convey the conclusions and solutions, of course according to my version, if my conclusions are lacking right, I apologize and I really hope for suggestions and criticism. 

1. Get to know how the microphone works If I may liken it, the microphone is like our ears, when the sound power is too low, then the sound cannot be caught by our ears, on the contrary if the sound is too loud, then our ears will hurt, and will damage the sound quality, cannot be received properly by the ear, as well as the microphone.

Then how should we treat the microphone properly? 2. From the problems above, we can conclude that we have to spoil the microphone.

In this case the vocalist plays a very important role, the vocalist must be really aware of the ability of his voice, when the vocalist's voice is very strong usually at a high note, the vocalist must immediately notice and move the microphone away from the tip of his lips, and when the vocalist's voice strength is weak then immediately notice and bring it closer. microphone from the tip of his lips, or also if the vocalist's voice strength is moderate, then adjust it, basically the vocalist must know the content of the song he is singing, where the low, medium, high notes are from, and are applied to the distance between the microphone and the tip of the lips.

Then there is the question, what about the vocalist who always puts his microphone at the tip of his lips? The answer is yes. With the condition, the vocalist must be able to control the strength of his voice to keep it balanced. Usually a vocalist like this he maintains a character or voice quality that is a bit strange, the impact is a bit accompaniment or discordant like that.

3. Apart from that, there are also things that the vocalist doesn't realize, namely holding the microphone head. This causes the vocalist's voice to sound strange and young feedback on the speakers.

So, I hope this is useful, if my understanding is wrong, I apologize and I really hope for suggestions and criticism for the good of all of us.

Best wishes always...